Florence And The Machine Lungs Deluxe Edition Zip Download

2009 studio anthology by Florence and the Automobile

Lungs
Florence and the Machine - Lungs.png

Standard edition embrace[a]

Studio album by

Florence and the Machine
Released 3 July 2009 (2009-07-03)
Recorded 2008–2009
Studio
  • The Garden (London)[b]
  • The Pool (London)[c]
  • The Synagogue[d]
  • Strongroom 33 / Space Cavern[due east]
  • The Smokehouse (London)[f]
  • The Dairy (London)[g]
Genre
  • Indie popular[4]
  • art stone[v]
  • punk dejection[v]
  • electro-rock[6]
  • art popular[7]
  • soul[viii]
  • garage rock[ix]
Length 46:12
Label Island
Producer
  • Paul Epworth
  • James Ford
  • Charlie Hugall
  • Stephen Mackey
  • Isabella Summers
  • Eg White
Florence and the Car chronology
A Lot of Love. A Lot of Blood
(2009) 		Lungs
(2009) 		Alive at the Wiltern
(2011)
Singles from Lungs
  1. "Osculation with a Fist"
    Released: 9 June 2008
  2. "Domestic dog Days Are Over"
    Released: 1 December 2008
  3. "Rabbit Heart (Raise It Up)"
    Released: 22 June 2009
  4. "Drumming Vocal"
    Released: 13 September 2009
  5. "You've Got the Love"
    Released: 16 Nov 2009
  6. "Cosmic Love"
    Released: five July 2010

Lungs is the debut studio album by English language indie stone ring Florence and the Machine, released on 3 July 2009 past Island Records. After working on various projects, Florence Welch formed a ring which included Robert Ackroyd, Chris Hayden, Mark Saunders, Tom Monger, and quondam collaborator Isabella Summers. The album features production from James Ford, Paul Epworth, Stephen Mackey, Eg White and Charlie Hugall, with additional production by band member Isabella Summers. The album has been reissued several times: an expanded version titled Between Two Lungs (2010), a digital EP subtitled The B-Sides (2011), and a 10th Anniversary Edition (2019).

Lungs received generally positive reviews from music critics, with Welch cartoon comparisons to the likes of Kate Bush and Fiona Apple. It appeared on several twelvemonth-finish critics' lists in late 2009. The album won the accolade for British Album of the Year at the Brit Awards. Commercially, Lungs reached number 1 in Poland and the United Kingdom, and number 14 in the US Billboard 200, selling over 3 meg copies worldwide.

The album was supported by six singles, all of which were supplemented past accompanying music videos. "Kiss with a Fist" peaked at 51 in the United Kingdom while "Domestic dog Days Are Over" and "Rabbit Eye (Raise It Upwardly)" as well charted in Australia and Belgium. Three further singles followed the release of the album, "Drumming Song", a cover of the song "You've Got the Beloved", and "Cosmic Love". Their cover of The Source and Candi Staton song became the group's first superlative-ten entry. To promote the album, Florence and the Machine embarked on the Lungs Bout betwixt 2008 and 2011. A live album from this concert was released in 2010, titled Live at the Wiltern.

Groundwork and recording [edit]

Prior to recording Lungs, Florence Welch had considered or attempted several different projects in the music industry, including an interest in condign a country singer, recording folk songs she had written, and collaborating with Razorlight'southward guitarist Johnny Borrell, only ultimately she was unsatisfied with those endeavors.[10] Welch and Borrell wrote several songs together.[ commendation needed ] In 2007, Welch fronted the hip hop-influenced grouping Ashok, recording an early version of "Kiss with a Fist", titled "Happy Slap", for their debut album, Plans.[ten] [11]

It was non until Welch began writing and recording with childhood friend Isabella Summers at Antenna Studios in London that Welch crafted a audio she wanted to develop farther.[12] Distraught just also inspired from a recently failed human relationship, Welch recorded with "enthusiasm over skills", stating, "I'thou quite glad I never learned to play the guitar, because I think I'd write songs that were more classically structured. As it is, I've had to create my own way of writing, which isn't typical. Everything's a big crescendo."[10] For a brief while, Welch and Summers performed as a duo called Florence Robot/Isa Machine in pocket-size London venues.[13] Over the coming months, Robert Ackroyd (guitar, backing vocals), Chris Hayden (drums, percussion, backing vocals), Marker Saunders (bass guitar, backing vocals) and Tom Monger (harp) were recruited to form a band, renamed Florence and the Auto.[14] In Nov 2008, Welch signed a bargain with Isle Records.[10] Prior to recording the album, Welch spent a long time honing her sound while working with guitarists, intent on "[making] it into something that was a moving ridge of sound that would envelop, something that was soaring, slightly church-like and then-doomlike."[15]

The ring elected to record a shorter rendition of "Kiss with a Fist" equally their debut single. Welch, nevertheless, began expanding upon the crude punk style which influenced "Kiss with a Fist" by listening to more gimmicky music, peculiarly Arcade Burn's debut album Funeral.[16] The influence of the recordings would manifest itself on the concept she had devised for Lungs, which, according to Welch, was a "scrapbook of the past five years... it'southward almost guilt, fear, love, death, violence, nightmares, [and] dreams".[17] Ultimately, the majority of Welch's earlier cocky-penned compositions were rejected for the album—except "Kiss with a Fist" and "Between Two Lungs"—because they did not mesh well with the album'southward themes.[18] Fortunately for the grouping, they rehearsed and improvised some of the material in the relaxed setting of Summers' studio, allowing Welch to refine the tribal drumming backdropping Lungs 's tracks, almost notably "Dog Days Are Over".[xix]

Florence and the Auto recorded Lungs in the United Kingdom with five different producers—Paul Epworth, James Ford, Stephen Mackey, Eg White, and Charlie Hugall. Virtually of the songs on the album were mixed by Cenzo Townshend.[20]

Artwork [edit]

The imagery of Lungs, featuring a mode derived from the Ante-Donatello Alliance, was handled past ii of Welch's friends: photographer Tom Beard and fine art manager Tabitha Denholm, who are partners at the studio Partizan. Denholm likewise plays with the band's manager Mairead Nash in the DJ duo Queens of Noize.[21] For the anthology cover, Denholm created a concept built effectually a pair of lungs worn visibly on Welch'south chest. Welch'south personal stylist Aldene Johnson handled the wardrobe, "an Emma Cook chain wearing apparel that was in a kind of 1920s mode",[22] while Orlando Weeks, an art pupil and frontman of the band The Maccabees, built the prostethic lungs, which he intended to requite "a Victoriana, industrial punchbag kind of look".[23]

Release and promotion [edit]

Florence and the Machine announced via their website on 24 September 2010 that Lungs would be re-released on 15 November every bit a 2-disc package titled Between Two Lungs. The reissue features new sleeve fine art, liner notes by Welch, and a 12-track bonus disc including live versions, remixes, Welch'southward mashup collaboration with Dizzee Rascal, "You Got the Dirtee Love", and "Heavy in Your Arms", which was released as a single from the soundtrack to The Twilight Saga: Eclipse.[24] The alive recordings are taken from the ring's performance at the 2010 iTunes Festival, well-nigh of which were not previously available on the band'due south iTunes Festival: London 2010 EP.

On 27 February 2011, Lungs: The B-Sides was released exclusively in the United states to digital music retailers such as the iTunes Store and Amazon MP3.[25] [2] This was followed by the release of a deluxe edition of Lungs in the US on 26 April 2011, featuring all 11 tracks from Lungs: The B-Sides on a bonus disc to accompany the original 13-track album.[26] On 3 July 2019, 10 years after the original release of the album, the band appear that a express "tenth anniversary edition" was available for pre-order.[27] Information technology was released digitally on xvi August,[28] with the LPs and cassettes released the same 24-hour interval. An exclusive box set was released on 4 October.[29] The box set comprises the original LP; a second LP with "three previously unreleased demo tracks, a rare acoustic version of "My Boy Builds Coffins", a cover of "Oh! Darling" Live at Abbey Road, and a number of B sides [and] rarities."[xxx] It also includes "postcards and inserts, showcasing previously unseen images from the Lungs era" chosen past Welch herself.[30] [31]

Singles [edit]

"Osculation with a Fist" was released on 9 June 2008 as the lead single from Lungs, peaking at number 51 on the Britain Singles Chart.[32]

"Dog Days Are Over" was released on 1 December 2008 every bit the album'due south second unmarried. While the 2010 reissue charted higher, the 2008 release only reached number 89 on the U.k. Singles Chart.[32] The vocal was used in the theatrical trailer for the 2010 film Eat Pray Love, starring Julia Roberts.[33] The Yeasayer remix of "Dog Days Are Over", which is included on Between Two Lungs, was released on 12 October 2010 on iTunes.[34]

"Rabbit Heart (Raise Information technology Up)" was released as the third single from the album on 22 June 2009, peaking at number 12 on the UK Singles Chart.[32] "Drumming Vocal" was released every bit the album's fourth single on 7 September 2009, reaching number 54 in the UK.[32]

"You've Got the Honey" was the 5th single to be released from the album, and reached a new height of number v on the United kingdom of great britain and northern ireland Singles Chart in January 2010.[32] The band had recorded a version of this The Source song which had been a alive staple and issued it as a B-side to Domestic dog Days Are Over, simply the success of the previous singles made Island request "You've Got the Beloved" as a single. Welch went on to record new vocal takes with engineer Cenzo Townshend, replacing the first 2 verses and the start chorus. Townshend also remixed the bass and drums to exist "a chip harder and the lesser stop a fleck heavier."[20] Florence and the Car's duet with rapper Dizzee Rascal at the 2010 Brit Awards on xvi February 2010, a mashup of "You've Got the Dear" and Dizzee Rascal's "Dirtee Greenbacks" titled "You lot Got the Dirtee Love", was released on iTunes the day after the anniversary.[35] [36] "You lot Got the Dirtee Love" reached number two on the Britain chart.[32]

On 5 January 2010, "Hurricane Drunkard" was originally appear as the sixth single from the album.[37] A video for the song was filmed in Paris on 8 January 2010 and premiered on 29 January after the Celebrity Big Brother 2010 last on Channel 4.[37] [38] However, on iii March 2010, a reissue of "Domestic dog Days Are Over" was appear through the band'southward website. The single was released digitally on 11 Apr and as a seven-inch vinyl the following day, along with a new music video.[39] Information technology reached a new summit of number 23 on the UK Singles Chart.[32]

"Cosmic Dear" was released on 5 July 2010 every bit the album's sixth and concluding single.[40] The song reached number 51 on the UK Singles Chart.[32] The ring fabricated a guest appearance in the 7 February 2011 episode of Gossip Daughter, titled "Panic Roommate", where they performed an acoustic rendition of "Catholic Honey".[41]

Disquisitional reception [edit]

Professional person ratings
Aggregate scores
Source Rating
AnyDecentMusic? 7.iii/10[42]
Metacritic 79/100[43]
Review scores
Source Rating
AllMusic [44]
The A.V. Club A−[45]
Entertainment Weekly A−[46]
The Guardian [47]
NME half dozen/x[48]
The Observer [49]
Pitchfork 7.ii/10[9]
Q [50]
Rolling Stone [5]
Spin [51]

Lungs received generally positive reviews from music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream publications, the anthology received an average score of 79, based on 22 reviews.[43] James Christopher Monger of AllMusic praised information technology equally "ane of the most musically mature and emotionally mesmerizing albums of 2009" and stated, "With an arsenal of weaponry that included the daring musicality of Kate Bush-league, the fearless delivery of Sinéad O'Connor, and the dark, unhinged vulnerability of Fiona Apple, the London native crafted a debut that not just lived up to the machine-gun spray of buzz that heralded her inflow, but easily surpassed information technology."[44] Ryan Dombal wrote for Pitchfork that Florence Welch "bursts mouth wide wide over garage stone, epic soul, pint-tipping Britbeat, and—all-time of all—a mystic brand of popular that's part Annie Lennox, Grace Slick, and Joanna Newsom."[9] Q noted that "there'due south a lot going on, but Welch never confuses breadth with depth".[fifty] Entertainment Weekly 's Joseph Brannigan Lynch opined that Welch'southward "immaculately constructed indie pop recalls Regina Spektor, but without the studied artiness: Welch is more concerned with raw emotional release."[46] Spin 'southward Melissa Maerz stated, "From the way she sings, in big gulps and Teen Wolf growls, to the mystical fine art-rock ballads she bedazzles with sleigh bells, harps, and choirs, there's enough drama hither for a Broadway musical. But her commitment is so raw that every mess feels genuine."[51]

Rolling Stone 's Jon Dolan expressed that "[t]he best $.25 feel similar being chased through a moonless night by a sexy moor witch."[v] Slant Magazine 's Nick Day referred to the band'due south music equally "specially sensitive to studio gloss" and praised Welch'south singing as "a fine balance betwixt elegance and frenzy."[52] In a review for The Guardian, Dave Simpson viewed that Welch "has created a sonic labyrinth of xylophones, percussion, Gregorian chants and werewolves. It can sound affected, occasionally crass, but there'southward enough risk to make this worth backing for the Mercury."[47] Jamie Fullerton of NME commended the work of producers James Ford and Paul Epworth, writing that they "create epic cauldron-swirls of Terminator-theme drums, Massive Set on atmospherics and twinkle-centre harp matched by Florence's grappling of skyward choruses", just found that "with the likes of 'I'm Not Calling You A Liar' and 'Howl' boasting similarly windy production nonetheless no identifiable tunes the results sound bumming—if harmless."[48] Genevieve Koski of The A.V. Gild felt that "[a]t times, Lungs borders on exhausting, careening every bit it does from 1 over-the-top track to the adjacent. [...] But with a phonation as strong and emotive as hers, it'southward not surprising that Welch has piddling use for moments of placidity contemplation."[45] Despite criticising instances of "over-smoothed" production on sure tracks, The Observer 'south Sheryl Garratt concluded that "at that place's a real joy well-nigh this debut. It's the sound of someone who has found their voice and is nifty to use it – every bit loudly and freely equally possible."[49]

Accolades [edit]

Lungs was shortlisted for the 2009 Mercury Prize.[53] The post-obit year, the album won the MasterCard British Album laurels at the Brit Awards.[54]

Commercial performance [edit]

Lungs debuted at number two on the United kingdom of great britain and northern ireland Albums Nautical chart (behind Michael Jackson's The Essential Michael Jackson), selling 63,020 copies in its beginning week[64]—the second highest amount for a debut anthology in 2009, later on Susan Boyle's I Dreamed a Dream.[65] [66] On 17 Jan 2010, after spending 28 consecutive weeks in the height forty,[67] the album topped the UK nautical chart for the first time, selling 51,005 copies.[68] Information technology spent a second sequent week atop the chart, with 42,359 copies sold.[69] On 8 March 2019, Lungs was certified sextuple platinum by the British Phonographic Manufacture (BPI),[70] and had sold 1,813,557 copies in the Uk by August 2019.[71]

Following the band'southward performance of "Dog Days Are Over" at the 2010 MTV Video Music Awards, Lungs jumped from number 44 to number 14 on the US Billboard 200 with sales of 21,000 copies, an increase of 165% from the previous week.[72] The album was certified double platinum by the Recording Manufacture Association of America (RIAA) on 25 June 2018.[73] It had sold 1,142,000 copies in the United States equally of February 2013.[74] Worldwide, Lungs had sold over three one thousand thousand copies as of November 2011.[75]

Track listing [edit]

No. Title Writer(south) Producer(s) Length
i. "Dog Days Are Over"
  • Florence Welch
  • Isabella Summers
  • James Ford
  • Summers[a]
4:13
2. "Rabbit Centre (Heighten It Upwards)"
  • Welch
  • Paul Epworth
 Epworth 3:52
3. "I'm Not Calling Yous a Liar"
  • Welch
  • Summers
  • Ford
  • Summers[a]
3:05
4. "Howl"
  • Welch
  • Epworth
 Epworth 3:34
5. "Kiss with a Fist"
  • Welch
  • Matt Allchin
 Stephen Mackey 2:04
vi. "Girl with One Eye"
  • Allchin
  • David Ashby
  • James McCool
 Mackey iii:39
7. "Drumming Song"
  • Welch
  • Ford
  • Crispin Hunt
 Ford iii:44
8. "Between Two Lungs"
  • Welch
  • Summers
  • Ford
  • Summers[a]
4:09
9. "Cosmic Love"
  • Welch
  • Summers
  • Epworth
  • Summers[a]
four:xvi
10. "My Male child Builds Coffins"
  • Welch
  • Christopher Lloyd Hayden
  • Rob Ackroyd
  • Charlie Hugall
  • Mackey[b]
  • Richard Flack[b]
2:57
11. "Hurricane Drunk"
  • Welch
  • Eg White
  • White
  • Epworth[a]
3:13
12. "Blinding"
  • Welch
  • Epworth
 Epworth iv:36
13. "You've Got the Love"
  • John Bellamy
  • Arnecia Michelle Harris
  • Anthony B. Stephens
 Hugall 2:49
Japanese edition bonus tracks[76]
No. Title Writer(s) Producer(south) Length
14. "Bird Song Intro" Ackroyd Hugall ane:20
15. "Bird Song"
  • Welch
  • Dev Hynes
 Hugall 2:55
16. "Are You Hurting the One You Love?"
  • Welch
  • Summers
  • Hayden
  • Tom Monger
 Hugall 2:51
17. "Falling"
  • Welch
  • Summers
  • Summers
  • Jimmy Robertson
 3:33
iTunes Store bonus tracks[77]
No. Title Writer(southward) Producer(south) Length
14. "Swimming"
  • Welch
  • Alex James
  • Simon Stafford
  • Mackey
  • Mackey
  • Flack
 3:22
15. "Dog Days Are Over" (music video)
  • Tom Beard
  • Tabitha Denholm
(directors) 		3:55
iTunes Store deluxe edition bonus tracks[78]
No. Title Author(s) Producer(s) Length
14. "Bird Song Intro" Ackroyd Hugall 1:20
15. "Bird Song"
  • Welch
  • Hynes
 Hugall two:55
16. "Dog Days Are Over" (demo)
  • Welch
  • Summers
 3:35
17. "Falling"
  • Welch
  • Summers
  • Summers
  • Robertson
 iii:33
xviii. "Hardest of Hearts"
  • Welch
  • Marking-Anthony Tieku
  • Summers
  • Ford
 3:26
19. "Ghosts" ("I'm Non Calling You a Liar" demo)
  • Welch
  • Summers
 two:58
20. "Girl with One Eye" (Bayou Percussion Version)
  • Allchin
  • Ashby
  • McCool
 Ford iii:55
21. "Swimming"
  • Welch
  • James
  • Stafford
  • Mackey
  • Mackey
  • Flack
 3:22
22. "Dog Days Are Over" (music video)
  • Beard
  • Denholm
(directors) 		3:55
Palatial edition bonus disc[79] [80]
No. Title Author(southward) Producer(south) Length
1. "Bird Song Intro" Ackroyd Hugall i:twenty
2. "Bird Song"
  • Welch
  • Dev Hynes
 Hugall 2:55
3. "Domestic dog Days Are Over" (demo) 3:33
4. "Falling"
  • Welch
  • Summers
  • Summers
  • Jimmy Robertson
 iii:35
v. "Hardest of Hearts"
  • Summers
  • Ford
 3:25
6. "Ghosts" ("I'm Not Calling Y'all a Liar" demo)
  • Welch
  • Summers
 two:58
7. "Girl with One Center" (Bayou Percussion Version)
  • Allchin
  • Ashby
  • McCool
 Ford iii:55
8. "Swimming" (Australian bonus track)
  • Welch
  • James
  • Stafford
  • Mackey
  • Mackey
  • Flack
 iii:23
Limited edition box set disc two: Live at Abbey Road
No. Championship Writer(southward) Length
1. "Betwixt Two Lungs"
  • Welch
  • Summers
 4:39
2. "Buss with a Fist"
  • Welch
  • Allchin
 2:52
three. "Hurricane Drunk"
  • Welch
  • White
 3:29
4. "Cosmic Love"
  • Welch
  • Summers
 five:13
5. "Oh! Darling" Lennon–McCartney 3:18
6. "Dog Days Are Over"
  • Welch
  • Summers
 4:30
7. "Drumming Vocal"
  • Welch
  • Ford
  • Hunt
 4:51
eight. "Y'all've Got the Dearest"
  • Bellamy
  • Harris
  • Stephens
 3:45
9. "Rabbit Centre (Enhance Information technology Up)"
  • Welch
  • Epworth
 5:12
Limited edition box set disc three: Remixes, Covers and Rarities
No. Title Writer(s) Producer(s) Length
1. "Halo" (recorded for Radio 1's Live Lounge)
  • Beyoncé Knowles
  • Ryan Tedder
  • Evan "Kidd" Bogart
 3:51
2. "Hurricane Drunk" (acoustic version)
  • Welch
  • White
 2:53
iii. "You lot've Got the Love" (Fraser T. Smith's Mix)
  • Bellamy
  • Harris
  • Stephens
  • Hugall
  • Fraser T. Smith[d]
two:47
4. "Rabbit Heart (Enhance It Upward)" (P.East.S.T Remix)
  • Welch
  • Epworth
  • Epworth
  • P.East.S.T[c]
half dozen:06
5. "Drumming Song" (Male child 8-Fleck Remix)
  • Welch
  • Ford
  • Hunt
  • Ford
  • Boy 8-Bit[c]
6:33
6. "Flakes" (Mystery Jets cover)
  • Blaine Harrison
  • Kai Fish
  • Kapil Trivedi
  • William Rees
 4:24
7. "An Offering" ("Rabbit Centre (Raise It Upwards)" demo)
  • Welch
  • Epworth
 iii:53
eight. "Yous've Got the Love" (Steve Pitron & Max Sanna Remix)
  • Bellamy
  • Harris
  • Stephens
  • Steve Pitron
  • Max Sanna
 half-dozen:25
ix. "Cosmic Beloved" (acoustic version)
  • Welch
  • Summers
 4:49
10. "Are Y'all Pain the One You Beloved?"
  • Welch
  • Summers
  • Hayden
  • Monger
 2:58
eleven. "Pond"
  • Welch
  • James
  • Mackey
  • Mackey
  • Flack
 3:22
16. Untitled Hugall
Limited edition box ready bonus DVD
No. Title Length
1. "Between 2 Lungs" (live from Rivoli Ballroom) iv:00
2. "My Boy Builds Coffins" (live from Rivoli Ballroom) three:07
3. "Kiss with a Fist" (live from Rivoli Ballroom) 2:11
4. "Hurricane Drunk" (alive from Rivoli Ballroom) 3:10
5. "Cosmic Dearest" (alive from Rivoli Ballroom) four:49
6. "Drumming Vocal" (live from Rivoli Ballroom) 4:38
7. "Howl" (live from Rivoli Ballroom) three:23
eight. "Blinding" (alive from Rivoli Ballroom) 6:03
9. "Dog Days Are Over" (alive from Rivoli Ballroom) 4:fifty
10. "Rabbit Heart (Raise It Upward)" (live from Rivoli Ballroom) 4:43
11. "You've Got the Love" (live from Rivoli Ballroom) 5:27
12. "Cosmic Love" (recorded at the Rivoli Ballroom, 7 July 2009) four:40
thirteen. "Between Two Lungs" (recorded at City Studios, 29 Apr 2009) 3:58
14. "Dog Days Are Over" (recorded at Metropolis Studios, 29 April 2009) 4:41
15. "Rabbit Centre (Raise It Up)" (recorded at Metropolis Studios, 29 April 2009) 4:01
xvi. "Domestic dog Days Are Over" (music video) 3:51
17. "Rabbit Heart (Heighten It Upwards)" (music video) three:32
18. "Drumming Vocal" (music video) 3:44
19. "You've Got the Love" (music video) two:44
Best Buy edition bonus DVD
No. Title Length
1. "Dog Days Are Over" (music video)
ii. "Drumming Song" (music video)
three. "Kiss with a Fist" (music video)
4. "Domestic dog Days Are Over" (live from Rivoli Ballroom)
5. "Drumming Song" (live from Rivoli Ballroom)
6. "Kiss with a Fist" (live from Rivoli Ballroom)
Between Two Lungs bonus disc
No. Championship Author(southward) Producer(s) Length
1. "Heavy in Your Arms"
  • Welch
  • Epworth
 Epworth 4:47
2. "Yous Got the Dirtee Love" (alive at the Brit Awards 2010 with Dizzee Rascal)
  • Bellamy
  • Harris
  • Stephens
  • Dylan Mills
  • Nick Cage
  • Hugall
  • Nick Detnon
 3:41
3. "Hurricane Drunk" (The Horrors Remix)
  • Welch
  • White
  • White
  • Epworth[a]
  • The Horrors[c]
5:45
iv. "Strangeness and Amuse" (alive from Hammersmith Apollo)
  • Welch
  • Epworth
 5:49
5. "Swimming" (live from Hammersmith Apollo)
  • Welch
  • James
  • Stafford
  • Mackey
 iii:31
6. "Dog Days Are Over" (Yeasayer Remix)
  • Welch
  • Summers
 Yeasayer[c] 4:fifteen
vii. "Drumming Song" (live from the iTunes Festival '10)
  • Welch
  • Ford
  • Chase
 four:41
eight. "Girl with One Eye" (live from the iTunes Festival '10)
  • Allchin
  • Ashby
  • McCool
 3:49
ix. "Hurricane Drunk" (live from the iTunes Festival 'ten)
  • Welch
  • White
 three:33
x. "Dog Days Are Over" (live from the iTunes Festival '10)
  • Welch
  • Summers
 4:15
eleven. "My Boy Builds Coffins" (live from the iTunes Festival '10)
  • Welch
  • Hayden
  • Ackroyd
 2:47
12. "Hospital Beds" (live from the iTunes Festival '10) Cold State of war Kids 2:17
Lungs: The B-Sides
No. Title Author(s) Producer(s) Length
ane. "Pond"
  • Welch
  • Mackey
  • Stafford
  • James
  • Mackey
  • Flack
 iii:21
ii. "Heavy in Your Artillery"
  • Welch
  • Epworth
 Epworth four:45
iii. "Ghosts" ("I'm Not Calling You a Liar" demo)
  • Welch
  • Summers
 2:59
4. "You've Got the Dirtee Dear" (live at the Brit Awards 2010 with Dizzee Rascal)
  • Bellamy
  • Harris
  • Stephens
  • Mills
  • Cage
  • Hugall
  • Nicholas Denton
 3:41
5. "Dog Days Are Over" (Yeasayer Remix)
  • Welch
  • Summers
  • Ford
  • Summers[a]
  • Yeasayer[c]
4:15
6. "Falling"
  • Welch
  • Summers
  • Summers
  • Robertson
 3:32
seven. "Are You Hurting the One You Love?"
  • Welch
  • Summers
  • Hayden
  • Monger
  • Levi
 Hugall 2:57
8. "Addicted to Love" Robert Palmer Hugall 3:xix
9. "Bird Song"
  • Welch
  • Hynes
 Hugall two:54
10. "Hospital Beds" Cold State of war Kids Epworth 2:fifteen
11. "Hardest of Hearts"
  • Welch
  • Tieku
  • Summers
  • Ford
 iii:27
10th Anniversary Edition box gear up bonus disc[thirty]
No. Title Writer(s) Producer(s) Length
one. "Bird Song"
  • Welch
  • Hynes
 Hugall 2:55
ii. "My Boy Builds Coffins" (Audio-visual)
  • Welch
  • Hayden
  • Ackroyd
 two:50
three. "My All-time Dress" (Demo)
  • Welch
  • White
 2:34
four. "Ass Kosh" (Demo)
  • Welch
  • Summers
 2:56
5. "Hospital Beds" Cold War Kids Summers 2:14
6. "Falling"
  • Welch
  • Summers
  • Summers
  • Robertson
 three:33
seven. "Ghosts" ("I'g Not Calling You a Liar" demo)
  • Welch
  • Summers
 2:57
8. "Postcards from Italy" (Demo) Zachary Condon 3:31
nine. "Pond"
  • Welch
  • James
  • Stafford
  • Mackey
  • Mackey
  • Flack
 3:20
x. "Are You Hurting the One You Dearest?"
  • Welch
  • Summers
  • Hayden
  • Tom Monger
 Hugall 2:57
eleven. "Oh! Darling" (Live at Abbey Route, 2009) Lennon–McCartney 3:xix

Notes [edit]

  • ^[a] signifies an additional producer
  • ^[b] signifies a vocal producer
  • ^[c] signifies a remixer
  • ^[d] signifies a mixer

Personnel [edit]

Credits adapted from the liner notes of Lungs.[81]

Florence and the Machine [edit]

  • Florence Welch – vocals, additional drumming, percussion (all tracks); background vocals (tracks seven, viii)
  • Christopher Lloyd Hayden – drums (tracks 1–3, 5, 10, 11, xiii)
  • Isabella Summers – additional drumming, percussion (all tracks); piano (tracks 1, iii, 4, 7, viii, 10, 13)
  • Rob Ackroyd – guitar (tracks 1, five, ten, 13); bass guitar (track 5)
  • Tom Monger – harp (tracks 1–3, seven–13)

Additional musicians [edit]

  • LaDonna Harley-Peters – background vocals (tracks 7, 8)
  • Victoria Akintola – background vocals (tracks 7, 8)
  • Martin Slattery – drums (track 6)
  • James Ford – drums (tracks 7, 8); bass guitar (tracks 1, 7); additional piano (tracks 1, iii, seven, eight); organ (runway vii)
  • Charlie Hugall – additional drumming, percussion (all tracks); additional bass (track 13)
  • Tim McCall – guitar (track 5); additional guitar (track 6)
  • Leo Abrahams – guitar (rails half dozen)
  • Stephen Mackey – bass guitar (tracks 5, 6)
  • Mete Burch Bator – bass guitar (rails 10)
  • Emerge Herbert – string arrangements, violin
  • Everton Nelson – violin
  • Bruce White – viola
  • Ian Burdge – cello (tracks ane, three, 4, 7, 8, 12)
  • Charlie Henry – cello (track 10)
  • Duncan "Pixie" Mills – Hammond organ (track 10)

Technical [edit]

  • James Ford – production (tracks i, three, 7, 8); mixing (track ane)
  • Jimmy Robertson – recording (tracks 1, 3, 7, 8); mixing (runway 1)
  • Paul Epworth – product (tracks two, 4, nine, 12); additional production (track 11)
  • Mark Rankin – recording (tracks ii, four, 9, 12); boosted recording (rail eleven)
  • Isabella Summers – additional product (tracks one, iii, 8, 9)
  • Stephen Mackey – production (tracks 5, half dozen); vocal product (track 10); mixing (track five)
  • Richard Flack – recording (tracks five, 6); vocal production (track ten); mixing (track v)
  • Charlie Hugall – production (tracks ten, 13)
  • Duncan "Pixie" Mills – engineering assistance (track 10)
  • Ben Jackson – engineering assistance (rail 10)
  • Al Riley – engineering science assistance (track 13)
  • Eg White – production (track 11)
  • Cenzo Townshend – mixing (tracks 2–4, half-dozen–13)
  • Neil Comber – mixing assistance (tracks two–4, 6–13)
  • Ben Mortimer – final edit (track 7)
  • John Davis – mastering

Artwork [edit]

  • Tabitha Denholm – fine art direction
  • Florence Welch – fine art direction
  • Tom Beard – photography
  • Wade Fletcher – live photograph
  • Orlando Weeks – lung illustration
  • Hugh Frost – layout

Charts [edit]

Certifications [edit]

Lungs

Between Two Lungs

Release history [edit]

Notes [edit]

  1. ^ The Between 2 Lungs reissue features the same motion-picture show with desaturated colors than the original[1] while the Lungs: B-Sides cover includes a photograph of Welch in the Yous've Got the Love music video.[ii] The tenth anniversary embrace shows a smaller photograph of Welch in a different position, and is surrounded by a salmon pink background.[iii]
  2. ^ Track 1
  3. ^ Tracks two, 4, 6, 9, 11 and 12
  4. ^ Tracks 3 and viii
  5. ^ Rails 7
  6. ^ Track ten
  7. ^ Track 13

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Bibliography [edit]

  • Howe, Zoe (2012). Florence + the Machine: An Omnipotent Sound. Bus Press. ISBN978-0-8571-2793-8. Archived from the original on 17 May 2021. Retrieved xv November 2016.

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